|
Colonial Era Confederation Era Modern Era eBooks Children Young Adult Novels General Works Drama Poetry Criticism and Biography/Autobiography Canadian Critical Editions Journal of Canadian Poetry Native Heritage Books of Canada How Parliament Works Canadian Parliamentary Handbook Fiction Short Stories Prose Canadian Writers Multi-Cultural Early Canadian Woman Writers Canadian Native Subjects History Medicine Abuse of Power Aussie Six Canadian Critical Edition Early Canadian Women Writers Series Greenhouse Kids Hockey Family Journal of Canadian Poetry Mighty Orion New Canadian Drama Other Side Princess Patricia's Canadian Light Infantry Quickbeam Chronicles René Silly Sally Tales of the Shining Mountains The Stry-Ker Family Saga Trudzik |
Biography
William R. Young is a Canadian playwright. His play, "Eden's Moon," is published in "New Canadian Drama," Volume 8, "Speculative Drama" (2001 Borealis). Other plays to his credit are "Dead Ducks," "Beyond Catholic," and "The Tin Untold" He also edited the third volume of "Paul Martin: The London Diaries 1975-1979" (1988).
|
Books by William R. Young
|
|
New Canadian Drama Vol. 8: Speculative Drama: Roswell, Eden's Moon, Alien Bait Edited by Scott Kesi Duchesne Written by Bruce Barton, Michael Green, William R. Young, Blake Brooker

202 pages, Paperback ISBN: 9780888872654 $19.95 CA
|
About the Book
This series, New Canadian Drama, under its initial General Editor Neil Carson, and now Alan Filewod, provides for the general public and student, plays from the contemporary Canadian stage, as selected by each Volume Editor.
Volume 8, edited by Scott Duchesne, presents three "speculative dramas": "Roswell" by Bruce Barton, "Eden´s Moon" by William R. Young, and "Alien Bait" by Michael Green and Blake Brooker.
As the editor details in his introduction, "New Canadian Drama - Volume 8, Speculative Drama," evolves from Romantic beginnings in the Science Fiction (SF) of the early 19th century to a mode for expressing the anxieties and aspirations of contemporary life in the Western World.
Judith Merrill in the late 1960s coined the term for this new form whose base, rather than ´science´, is the act of asking "What if ...?"
Each of these three plays taps into contemporary angst, synthesizing the strange and the familiar into something that might be seen as a new Canadian sensibility.
|
|
Copyright © by Borealis Press Ltd., 2002.
Updated: August 5, 2002
|
|
|